On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. All the money he earned—serving McClintock and the muse—could be laid away. “So that’s the way it is. He liked to draw her in, and she did her best to talk.
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