I quickly ingratiated myself to Gianfrancesco, playing on his insecurities, drawing from his need for more and more power. Then to Martin's brandy-shop, in Fleet Street. He was in front of one of the more imposing of the cafés chantants—opposite, illuminated with a whole row of lights, was the wonderful poster which had helped to make ‘Alcide’ famous. “I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man.
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