Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “But a boy—a boy goes out into the world and presently stands on his own feet. ‘Do you think it is the man in the moon that I mean? What is it that Gérard has told you?’ ‘That you need help. She succumbed to cancer of the breast at age forty-three, it was slow and wasting. ‘I told her you couldn’t have been flirting, but she wouldn’t believe me. He found his youngest daughter intrusive in his thoughts all through the morning, and still more so in the afternoon. She felt his whole mind sounding in ecstasy. There were two school-mistresses, one of whom—Miss Klegg—might have been a first cousin to Miss Miniver, she had so many Miniver traits; there was a preoccupied girl whose name Ann Veronica never learned, but who worked remarkably well; and Miss Garvice, who began by attracting her very greatly— she moved so beautifully—and ended by giving her the impression that moving beautifully was the beginning and end of her being.
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