“I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. I told him instantly and shamelessly that the play was going to be worth ten thousand pounds. Pull yourself together, Annabel! I must have the truth. I overlooked the mechanical imperfections of your work, the utter lack of finish, the crudeness of your drawing.
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