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“For nothing, do you call it?” he declared. To reach the Sha-mien—and particularly the Hotel Victoria—one crossed a narrow canal, always choked with rocking sampans over and about which swarmed yellow men and women and children in varied shades of faded blue cotton. For a moment he did not recognize Annabel. There was first the Avenue, which ran in a consciously elegant curve from the railway station into an undeveloped wilderness of agriculture, with big, yellow brick villas on either side, and then there was the pavement, the little clump of shops about the postoffice, and under the railway arch was a congestion of workmen’s dwellings. It was open. She bent down. " "I'll tell you what I'll do," rejoined the other. ’ He made a pretence of rising and making a sortie to the corner to see if anyone was there. Its dreariness, like the filthiness of the police cell, was a discovery for her. " "So I find, Rowland," replied the other, in accents of deep disappointment, and at the same time relinquishing his grasp. I shall make no defence. Her finger-nails dug into her flesh. “Tell him to drive—anywhere,” she exclaimed. The Ferringhalls are of course without any pretence at family, but Sir John is a very rich man, and will be able to give Annabel a very enviable position in the world. Yet he’s been here for six years, and he’s as much a fixture as that sham mahogany sideboard.
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