ILLUSTRATED WITH SCENES FROM THE PHOTOPLAY PRODUCED BY DISTINCTIVE PICTURES CORPORATION NEW YORK GROSSET & DUNLAP PUBLISHERS THE RAGGED EDGE CHAPTER I The Master is inordinately fond of young fools. I don’t want you to talk to me now. She looked at him as he thrust deeply, his face contorted with pleasure as he watched her riding him. He stood before her. “Dear old Daddy,” she said, “he’ll make a fearful fuss. It was you! It was exactly you, but it was probably the photo they thought it was your mother! I dug it up after combing the Reader’s Guide To Periodical Literature for like, six hours straight. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. " "Why did you use the name of Taber?" "To keep my real name out of the mess I expected to make of myself over here. As usual the substantive sister—Prudence—did all the talking for the pair; Angelina, the shadow, offered only her submitting nods. “David Courtlaw!” she repeated.
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