She kicked both of her legs with the force of a bull, sending a blow into Rhea’s borrowed legs. She was dressed in a tattered black stuff gown, discoloured by various stains, and intended, it would seem, from the remnants of rusty crape with which it was here and there tricked out, to represent the garb of widowhood, and held in her arms a sleeping infant, swathed in the folds of a linsey-woolsey shawl. Even the abstract paintings on the wall were gray. He ignored her protests in order to pursue some impressive line of his own.
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